Adam Bradley, BA (McMaster) MA (Waterloo), holds a PhD in English Language and Literature and Systems Design Engineering from the University of Waterloo and is currently a Research Associate in the Vialab. Adam’s overall work is concerned with the intersections between technology and traditional literary studies with a focus on early 20th century poetics. His MA research project, titled “Data Visualization and the Avant-Garde Aesthetic” was a digital humanities project completed in conjunction with the English department’s Critical Media Lab and the Engineering department’s Touchlab. His project investigated whether shifting the aesthetics of a given text can offer new insights into the study of its structure and how the integrity of that text can be maintained within this paradigm. His current work focuses on digital tool design for literary criticism and language visualization.
Adam James Bradley and Michael Ullyott, “Past Texts, Present Tools, and Future Critics: Toward a Rhetorical Schematics”, Shakespeare’s Language in Digital Media: Old Words, New Tools. Farnham: Ashgate. (forthcoming)
Adam James Bradley, “In the End was the Word: a Computational Approach to T.S. Eliot’s Diction”, Reading Modernism with Machines, Palgrave Macmillan (forthcoming)
Adam James Bradley, Travis Kirton, Sheelagh Carpendale, and Mark Hancock, “Language DNA: Visualizing a Language Decomposition”, Digital Humanities Quarterly (accepted with minor revisions)
Adam James Bradley, “Routledge Encyclopedia of Modernism”, Entries on Alan Matheson Turing and Relativity (forthcoming)
Adam James Bradley, Cayley MacArthur, Mark Hancock, and Sheelagh Carpendale, “Gendered or Neutral? Considering the Language of HCI” Proceedings of the 41st Graphics Interface Conference, pp. 163-170